Tauba Auerbach, BREYER P-ORRIDGE, Dietmar Busse, Matt Connors, Frank Haines, Elisabeth Kley, Lovid, Shona Macdonald, Lucas Samaras, Timothy Wyllie, Dustin Yellin

Affective Care
300 West 72 Street #1D
New York NY 10023

June 14 – September 7 2019


New Discretions is proud to present FREE ASSOCIATION, a group show in a clinic.

On March 5, 2019, the Food and Drug Administration (FDA) approved the first truly new medication for major depression in decades. The drug is a nasal spray called esketamine, derived from ketamine—an anesthetic that has made waves for its surprising antidepressant effect. 

John Krystal, MD, chief psychiatrist at Yale Medicine and one of the pioneers of ketamine research in the country, calls ketamine “the anti-medication” medication. “With most medications, like valium, the anti-anxiety effect you get only lasts when it is in your system. When the valium goes away, you can get rebound anxiety. When you take ketamine, it triggers reactions in your cortex that enable brain connections to regrow. It’s the reaction to ketamine, not the presence of ketamine in the body that constitutes its effects.”* 

This group show celebrates this medical achievement. A handful of artists were asked to offer pieces for the exhibition. These works were then matched quickly with partner pieces, in the same manner as psychologists use the word association game. On display is the result.

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* Jennifer Chenmarch , How New Ketamine Drug Helps with Depression, yalemedicine.org, 2019.

TOM BIANCHI | 63 E 9th Street, 1975-1983 NYC Polaroids and Tablets

OPENING June 5, 6 - 8pm

JOHANNES VOGT: Next Door Guest
958 Madison Avenue, Second Floor, New York NY 10021


June 5 – July 5, 2019

New Discretions is proud to present Tom Bianchi’s “63 E 9th Street.” This is our first collaboration with the artist, corresponding with his latest monograph of the same title. The exhibition will take place at Johannes Vogt’s Next Door Guest at 958 Madison Ave.

In 1975, Tom Bianchi moved to New York City and took a job as in-house counsel at Columbia Pictures. That first year Bianchi was given a Polaroid SX – 70 camera by Columbia Pictures at a corporate conference. He took that camera to the Pines on summer weekends (those pictures became the book, Fire Island Pines. Polaroids 1975 – 1983), but he also employed the camera in his NYC apartment at 63 E 9th Street. Whereas Fire Island is an expansive communal experience happening on a sunny sand bar outside of the city under huge open skies, Bianchi’s New York apartment was an intimate track lit den, a safe stage where he and his friends invited each other to play out their erotic night games. These images take us behind the closed door of his apartment. “We were in the early days of a revolution that seemed inevitably headed to a more loving, playful and tolerant way of being. We were innocents,” Bianchi recalls.
It is an essential document of urban gay life, a time before the AIDS crisis, full of intimacy and experimentation. It is personal. Michael Denneny has written, “Tom’s photographs were a life-affirming testimonial to the way we aspire to live now.”
Bianchi is a person of many pasts. While best known for his iconic photographs, he was first a corporate lawyer, then a painter. Betty Parsons and Carol Dreyfuss hosted his first one-man painting show in 1980, leading to a favorable review by Hilton Kramer. Composed of densely layered strips of paper, each obsessively painted with acrylic and often using materials at hand such as Polaroid cases and grocery bag handles, these opulent large-scale works were abandoned when Bianchi’s partner, David Peterson, died of AIDS in 1988. The future was uncertain and photography had an immediacy that seemed crucial at the time.
Now, nearly 40 years later, Bianchi has begun re-exploring painting. A series of puzzle pieces and doors are the backdrop for these works, filled with private codes and photographs, all shot in the 63 E 9th Street apartment with a cheap plastic Haminex 35mm camera on black-and-white film. In fact, they are shot on the same evenings that appear as chapters in the show. Referred to as “tablets,” these new compositions are a bridge between his early abstract work and his photographic legacy.
This is the first exhibition of this work, both the photographs and the painted constructions.
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Tom Bianchi has published 16 books of photographs, poems, and essays primarily covering the gay male experience. In 1990, St. Martin’s Press published Out of the Studio, Bianchi’s book of male nudes, frankly gay and affectionally connected. Fire Island Pines Polaroids 1975–1983 was honored by Time magazine’s list of the Best Photo Books of 2013. Published this year, 63 E 9th Street is available through Damiani Press.
Bianchi’s work has been shown in galleries and museums from Tokyo to Berlin and Cologne and throughout the US and Canada for over 30 years, including Jean Albano Gallery (Chicago); Milwaukee Art Institute; Fahey Klein Gallery (Los Angeles). In 1984, he was given his first solo museum exhibition at the Spoleto Festival in Charleston, South Carolina. His semi-abstract large-scale constructions have been commissioned for a host of clients including IBM, Bank of America and Saks 5th Avenue.  

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Next Door Guest is a project by Johannes Vogt, located at 958 Madison Avenue on the second floor. Gallery hours are Tuesdays through Saturdays, 11am-6pm, and by appointment.


1a: individual choices or judgments left the decision to his discretion
b: power of free decisions or latitudes of choice within certain legal bounds reached the age of discretion
2: the qualities of having or showing discernment or good judgment : the qualities of being discreet : CIRCUMSPECTION especially : cautious reserve in speech
3: abilities to make responsible decisions
4: the result of separating or distinguishing